Skip to main content

Signal & Noise

Tuning into Different Realities

Imagine an old radio, whereas each radio station represents a unique reality or experience. Just as different frequencies provide different content, each "reality" could be seen as a different set of experiences, perceptions, or dimensions of existence. Tuning into a specific frequency allows you to access that reality. Just as you can change stations, you might metaphorically "shift" your focus or awareness to different realities or perspectives. When you tune into a radio station, you experience the music, talk shows, and other content through your auditory senses. Similarly, if you could "tune in" to a different reality, you might interact with that reality through your senses—sight, sound, touch, etc.


Possibilities

Many people may be unaware of the different  "frequencies" they are experiencing, living in a default state of reality without recognizing the potential for other experiences or perspectives. This could be attributed to societal conditioning, limiting beliefs, or distractions that prevent individuals from exploring different realities.
Many individuals might try to control their experiences or the "signal" they tune into, seeking to manipulate circumstances or outcomes in their lives. This could lead to frustration when faced with realities that cannot be changed or controlled, leading to stress or dissatisfaction. Dreams could be seen as a separate frequency or channel where individuals access different realities, insights, or subconscious thoughts. This could imply that different dimensions or realities can interact, leading to phenomena often described in paranormal contexts. Some individuals may naturally possess the ability or sensitivity to access alternate realities or perspectives, akin to being able to tune into more than one radio station at once. Other channels may represent future timelines suggests a fluidity of time and reality, where different choices lead to different outcomes.

as wavelength decreases, frequency increases

The primary colors of light are typically considered to be red, green, and blue (RGB).

The distance between successive peaks of a wave. In the context of visible light, different colors correspond to different wavelengths. The number of waves that pass a given point per second. It is inversely related to wavelength; as wavelength decreases, frequency increases.

  • Red:

    • Wavelength: Approximately 620 to 750 nanometers (nm).
    • Frequency: About 400 to 480 terahertz (THz).
  • Green:

    • Wavelength: Approximately 495 to 570 nm.
    • Frequency: About 525 to 610 THz.

  • Blue:

    • Wavelength: Approximately 450 to 495 nm.
    • Frequency: About 610 to 670 THz.

Comments

Popular posts from this blog

Hindu Mythology | The Adityas

  Mitra:  God of friendship, contracts, and honesty. Varuna:  God of water, oceans, and cosmic order. Aryaman:  God of nobility, hospitality, and contracts. Bhaga:  God of wealth and fortune. Daksha:  God of skill and craftsmanship. Amshuman:  God associated with the river and the ocean. Bhaskara:  Another name for the Sun god, Surya. Savitr:  God of the sun, creativity, and inspiration. Tvashtri:  God of divine craftsmanship and architectural skill. Vishnu:  The preserver and sustainer of the universe. Vivasvat:  Another name for the Sun god, Surya.

Instructions of Shuruppak

Ubara-Tutu is recorded in most copies of the  Sumerian King List  as being the final king of Sumer prior to the  deluge . Ubara-tutu is briefly mentioned in  tablet XI  of the  Epic of Gilgamesh , where he is identified as the father of  Utnapishtim , a character who is instructed by the god  Ea  to build a boat in order to survive the coming flood.     Utnapishtim  ( Akkadian :  𒌓𒍣 , "he has found life") was a legendary king of the ancient city of  Shuruppak  in southern Iraq, who, according to the  Gilgamesh flood myth , one of several similar narratives, survived  the Flood  by making and occupying a boat.  He is called by different names in different traditions:  Ziusudra  ("Life of long days", rendered Xisuthros, Ξίσουθρος in  Berossus ) in the earliest, Sumerian versions, later Shuruppak (after his city),  Atra-hasis  ("exceeding wise") in the earliest  Ak...

The 14th Baktun

The concept of "14 Baktuns" in the Mayan Long Count calendar refers to the period following the completion of the 13th Baktun, which ended on December 21, 2012. The Long Count calendar is a non-repeating system used by the Maya to track time over long periods. It consists of several units, with the Baktun being one of the largest, representing 144,000 days (approximately 394.25 years ) [1] . The confusion surrounding the Mayan Long Count calendar and the transition from the 13th to the 14th Baktun arises from how different sources interpret the significance of December 21, 2012.  End of the 13th Baktun: December 21, 2012 This date was widely publicized and often misinterpreted as an "end of the world" scenario in popular culture. Following the completion of the 13th Baktun, the Long Count calendar transitioned to 14.0.0.0.0 . This beginning signifies a new cycle, and it is indeed the current point in the Long Count. Many interpretations of the Mayan calendar focus...